SLIM AARONS:
PHOTOGRAPHER

Slim Aarons made a career, in his words, “photographing attractive people doing attractive things in attractive places.” His subjects were the beautiful and the celebrated, the rich and the powerful, high society and aristocracy. Slim Aarons captured their image for the picture magazines throughout the second half of the twentieth century. In doing so he defined the image of the Beautiful People, the international Jet Set who strode the world’s stage in the postwar decades.

As a chronicler of the good life, as lived by the upper classes and aristocracy in the 1950’s, 60’s, and 70’s, Slim Aarons has no peer. He was a classic outsider looking in, and as such he idealized the rich. The women are beautiful and exquisitely dressed, the men handsome and poised. The houses, shown in detail, range from European palazzos and castles to Palm Beach palazzos to suburban and Southhampton castles. Though we may catch a whiff of boredom and perhaps a lack of purpose in his subjects, the overwhelming luxury of their surroundings and ease of their lives may cast such doubts aside.

Developing the environmental portrait to an art, Slim Aarons engaged in both formal portraiture and reportage, and he always remained true to his subjects. He showed them as they saw themselves. In so doing he gained their trust and that most precious thing: access. And so he was welcomed into the exclusive precincts of the beau monde, in essence attaining the status of court photographer. Slim Aarons brought a photojournalist’s eye to the art of formal society portraiture, posing his subjects as still life, in their own magnificent environments.

Slim Aarons (1916-2006) served as a photographer during World War II, with the Eighth Army Division, and this led to his career as a photographer. Affable and sylish, Aarons found magazine work after the war – LIFE, Holiday, Town & Country. With the publication of his book A Wonderful Time in 1974, this vanishing world was crystalized. The book became a cult favorite among the fashion world and his work is frequently copied in advertising campaigns. Women, published by Abrams, is the latest book of his work.

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Slim Aarons Pop and Society: Marianne Faithfull, Desmond Guinness, and Mick Jagger at Castletown Mansion, Ireland, 1968
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Slim Aarons Prince Philip Receives Windsor Cup at Ascot Polo Tournament, 1955
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Slim Aarons Sirio Maccioni at Le Cirque, New York, 1981
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Slim Aarons Salvador Dali, Port Ligat, Costa Brava, 1970
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Horst P. Horst Lisa: “I Love You,” Paris, 1938
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Philippe Halsman Salvador Dali (Cheese)
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Erwin Blumenfeld Dayton’s, 1955
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Horst P. Horst Costume Designs by Salvador Dali for his Ballet Bacchanale, Paris, 1939
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Philippe Halsman Jean Cocteau’s Painting Comes to Life, 1949
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David Seidner Cynthia Antonio in Jean Patou, 1987
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David Seidner Darriela Stinea, Jacques Lecone hat, 1987
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Sheila Metzner The Kiss, Fendi, 1986
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Melvin Sokolsky Yoga Wheel, New York, Harper’s Bazaar, 1962
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Melvin Sokolsky Le Dragon, Paris, 1963
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Philippe Halsman Marilyn-Mao, 1952
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Fergus Greer Leigh Bowery: Session 7, Look 38, 1994
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Man Ray Mannequin on Balcony, circa 1930
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Fergus Greer Leigh Bowery: Session 3, Look 14, 1990
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Fergus Greer Leigh Bowery: Session 3, Look 11, 1990
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Fergus Greer Leigh Bowery: Session 1, Look 2, 1988
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Man Ray Mannequin on Staircase, circa 1930
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Willy Rizzo Salvador Dali, Paris, 1950
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Norman Parkinson Two Dressmaker’s dummies with scissors, 1960
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Man Ray Death Mask of Modigliani, 1928
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André Kertész Still Life with Flowers and Snake, New York, 1960
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Deborah Turbeville Stigmata: Isabella at Ecole Des Beaux Arts, Paris, 1977
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Erwin Blumenfeld Cubistic Purple Nude, New York, 1949
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